林苒个展——偷偷摸摸美术馆

前言
“偷偷摸摸美术馆”缘起于林苒观察家门口的小花园里一个流浪汉在石凳上住了三年，她也留意到自己住的市中心的小区里面到处都是空置房屋。有人流离失所，居无定所，而城市房屋却又如此高得空置无人住。她因此开始关注空置房所包含的一系列社会问题。林苒经过大量细致的田野调查、人文思考以及艺术策划之后，在2018年9月开启“偷偷摸摸美术馆”。这是一个流动的美术馆，更是一个致力于如何将空置空间改造成美术馆的艺术项目。将一个个的艺术展览“偷偷摸摸”从一个空置空间移动到另外一个空置空间，像一棵棵顽强而鲜活的植被野蛮地生长着，绽放在各式各样的城市空白中。“偷偷摸摸美术馆”试图通过一系列的即兴、躲闪、侵占、强介入、夜间开幕、不被言说和被动传播的形式，对日常的闲置空间赋予瞬间的精神场能，从而探索艺术的形式、观念的维度和现实语境之间的关系。“偷偷摸摸美术馆”提示了两个现实，即过去几十年里房地产对土地资源的占有和巨量空置以及民间社会资源的生存紧张和矛盾。

策展人：王春辰

关于艺术家



林苒，艺术家，策展人，新媒体艺术研究者和创作者。任教于厦门集美大学美术学院。在法国留学和工作7年。先后毕业于法国巴黎国立高等美术学院当代造型艺术专业与法国鲁昂国立高等美院新媒体艺术专业双硕士。厦门大学人文学院戏剧专业新媒体艺术方向博士在读。作品以装置、影像（video）、实验绘画为主。曾连续三年雅昌艺术网艺术批评专栏作者，发表艺术评论文章百万余字。多次举办个展，参加过上海当代艺术博物馆的上海双年展，美国密歇根州布罗德美术馆《内燃》女性艺术展览，集美阿尔勒国际摄影节，法国巴黎国际超短片节，法国克莱蒙费朗国际短片节独立艺术家邀请展，地中海国际电影节短片单元，马来西亚艺博会，中国马来西亚建交40周年展，中国福建省美术馆《缺席的身份》中国女性艺术家全国提名展等中国和国际大型展览，作品被诸多重要的国内外公共艺术机构以及私人藏家收藏。


王春辰，著名策展人、批评家，中央美术学院教授、博士生导师，现任中央美院美术馆副馆长，从事现代美术史及当代艺术理论与批评研究。2012年美国密执根州立大学布罗德美术馆特约策展人；2013年第55届威尼斯国际艺术双年展中国馆策展人；英国学刊Journal of Contemporary Chinese Art《当代中国艺术杂志》副主编及德国斯普林格出版社《中国当代艺术丛书》主编；2015年英国泰特美术馆访问研究员。

Exhibition：Lin Ran Solo Exhibition —— Furtively Art Museum
Artist：Lin Ran
Curator：Wang Chunchen
Opening Time：16.Nov 15:00Organiser: Three Shadows Xiamen Photography ArtCentreDuration: Nov. 16 – Dec. 15, 2019 9:30-17:30
Venue: Three Shadows Xiamen Photography Art Centre


Lin Ran Solo Exhibition —— Furtively Art Museum

The "Furtively Art Museum" exhibition of Lin Ran'sThree Shadows Hall consists of two parts of image works:1. Three years of the Watcher of Shapo Tail Stone Bench2.What can we do with a vacant apartment in the cityThe idea of the Furtively Art Museum began to take shape when Lin Ran observed that a homeless man had lived on a bench of the garden infront of her apartment building for almost three years. She also noticed that the downtown area was full of empty houses and apartments. There are people wander about homeless, while the vacancy rate of the urban housing is alarmingly high. And Lin began to pay attention to the series of social issuescaused by empty apartments. After a large amount of fieldwork, thinking and curating preparation, Lin Ran founded the Furtively Art Museum in September 2018. The museum is a moving art space, focusing on the transformation of vacant space into an art space. From one vacant space to another, the exhibitions could just furtively show up at any place, just like the lively wild flowers manage to bloom at any corner of the vacant urban buildings. Through a series of impromptu and unconventional actions, the museum tries to give temporary functions to the daily vacant space in a way that is probably subtle and ineffable, and to explore the the relations among the form of art, the dimension of ideas and the real context.The museum triesto intervene in two realities: the occupation and the vacancy issues of theurban residential space in the past decades, and the crafty and joking approaches to earn the living spaces of the local communities.